Archived Reviews

We’ve been writing quality film reviews for over 10 years.  Here you’ll find a treasure trove of thousands reviews from times gone by!

Looking for our archived previews instead?  You can search back through them on this page.

Our annual league tables!

Every year we publish our review of reviews featuring the ‘Best of’ and ‘Worst of’ movies of the year.

Filter our archived reviews by year:

2022    2021    2020    2019    2018    2017    2016    2015    2014    2013

For 2023 reviews published between January and September 2023 which were archived from our old website please click here.

REVIEW: Scrapper (2023, dir. Charlotte Regan)

Scrapper is an outstanding debut feature from writer-director Charlotte Regan that avoids working-class drama tropes to tell a story with a vibrant sense of soul and style, led by a fantastic central performance from young Lola Campbell that will warm your heart in all the right places.

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REVIEW: Heart of Stone (2023, dir. Tom Harper)

Heart of Stone is a generically plotted but nonetheless engaging spy action-thriller that bucks the trend of recent Netflix blockbusters by feeling like it was made with some semblance of a soul, thanks to some lively filmmaking, charismatic performances, and a script that injects some humanity into the formulaic structure.

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REVIEW: You Hurt My Feelings (2023, dir. Nicole Holofcener)

You Hurt My Feelings is a smart and calculated look at the lies we all tell to support and validate one another, which writer-director Nicole Holofcener handles delicately along with some neatly understated turns from the likes of Julia Louis-Dreyfus and Tobias Menzies.

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REVIEW: Gran Turismo (2023, dir. Neil Blomkamp)

Gran Turismo is a mostly entertaining wish-fulfilment sports movie that doesn’t attempt to hide its blatant commercialism nor its various storytelling tropes, but is well-executed enough to serve as a wholly decent crowd-pleaser.

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REVIEW: Meg 2: The Trench (2023, dir. Ben Wheatley)

Meg 2: The Trench is a gloriously dumb B-movie monster sequel that, critically speaking, is perhaps too stupid to fathom, but thanks to some playful filmmaking by Ben Wheatley and a cast led by Jason Statham who are similarly refusing to take this material seriously, it’s a brainless blast that’s best experienced with a bit of booze in your system.

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